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Standing Sound Waves · Lesson 4 of 5

The End Correction and the Resonance Tube

14 min read3 ideas6 checks1 figure to playBy Asheshanand Acharya
What you will learn 0 / 3
The antinode lies beyond the open end
Look around
A tube that booms at one level

In the physics practical of Class 11, a student strikes a tuning fork on a rubber pad. She holds it over a tall glass tube of water. The water level is lowered slowly. For a long time the fork sounds faint. Then, at one level, the tube booms out loudly with the note of the fork. Lower the water further, and the boom fades, and later returns.

you will find the speed of sound from two water levels, without knowing exactly where the antinode is.

The open end, looked at closely

Lessons 1 to 3 treated the open end of a pipe as the exact place of the antinode. Real air does not stop at the mouth of the pipe. The air just outside the mouth is pushed and pulled along with the air inside. So the region of free, constant pressure begins a little way beyond the end.

The displacement antinode, which is the pressure node, therefore lies a small distance \(e\) outside the open end. This distance is the end correction. For a pipe of inner radius \(r\), it is close to \(e = 0.6r\). The standing wave then behaves as if the pipe were longer by \(e\) at every open end.

The antinode lies a little beyond the open endA pipe of inner radius r, closed at the left and open at the right, drawn to scale in centimetres. Inside, a pair of curves shows the displacement envelope of the fundamental: pinched to nothing at the closed end, marked N, and widening towards the open end. The envelope does not reach its widest at the mouth of the pipe. It continues a little way past the open end, to a dashed line marked A, where the antinode is. Dimension lines below mark the length of the pipe L and the small extra length e beyond the mouth, and a dimension line above marks L + e = lambda over 4. A double arrow at the closed end marks the radius r. A N r L + e = λ/4 L e
Fig 4.1A pipe closed at the left and open at the right, drawn to scale. Its inner radius is \(r = 1.33\,\text{cm}\), so \(e = 0.8\,\text{cm}\). The envelope of the fundamental runs past the mouth, and the antinode A lies \(e\) beyond it. The quarter-wavelength spans \(L + e\), not \(L\).

In Fig 4.1 the envelope does not reach its widest at the mouth. It keeps widening for another \(0.8\,\text{cm}\), and the antinode sits in the open air. The quarter-wavelength of the fundamental therefore spans \(L + e\). The length that sets the resonances is this effective length. A closed pipe has one open end, and an open pipe has two.

RememberThe end correction
\[ \begin{aligned} e &\approx 0.6\,r \\ \text{closed: } f_1 &= \dfrac{v}{4(L + e)} \\ \text{open: } f_1 &= \dfrac{v}{2(L + 2e)} \end{aligned} \]
Holds whena narrow pipe of inner radius \(r\) whose open ends are plain, without a flange; \(r\) is much smaller than the wavelength.
Symbols\(e\) the end correction at each open end; \(r\) the inner radius of the pipe; \(L\) the length of the pipe; \(f_1\) the fundamental; \(v\) the speed of sound
Units\(e\), \(r\) and \(L\) in m, \(f_1\) in Hz, \(v\) in m/s

The other harmonics follow in the same way. A closed pipe has \(f_n = nv/4(L + e)\) for odd \(n\). An open pipe has \(f_n = nv/2(L + 2e)\) for every \(n\).

ExampleThe organ pipe, corrected

The closed organ pipe of Lesson 3 is \(0.40\,\text{m}\) long. Its inner radius is \(2.0\,\text{cm}\). With \(v = 340\,\text{m/s}\), find its fundamental frequency, allowing for the end correction.

Try it on paper first. The solution is one tap away when you are ready.
Common mistake

Using the measured length alone always overestimates the frequency of a pipe. The effective length is longer, so the true fundamental is lower. A wider pipe needs a larger correction, since \(e\) grows with \(r\).

Checkpoint · numericUnanswered

An open pipe \(82.0\,\text{cm}\) long has an inner radius of \(2.5\,\text{cm}\). The speed of sound is \(340\,\text{m/s}\). Allowing for the end correction, find its fundamental frequency, in Hz.

Hz± 2 %
The resonance tube

The resonance tube

A resonance tube is a long glass tube standing upright, with water in its lower part. The water level can be raised or lowered, usually by moving a connected reservoir. The air column above the water is closed at the water surface, because the air cannot move into the water. It is open at the top.

A tuning fork of known frequency \(f\) is struck and held over the mouth of the tube. The fork drives the air column at the frequency \(f\). The column answers loudly only when \(f\) is one of its own resonant frequencies. The lengths of the air column at which this happens are the resonance lengths.

The air column is a closed pipe of effective length \(L + e\). Start with the water near the top and lower it slowly. The first loud resonance comes when \(L_1 + e = \lambda/4\), the fundamental. Lower the water further. The next resonance comes when \(L_2 + e = 3\lambda/4\), the third harmonic of the longer column.

A resonance tube and a 512 Hz tuning forkA tall glass tube, closed at the bottom and partly filled with water, stands upright with a sounding tuning fork of 512 hertz held just above its open mouth. A slider sets the length L of the air column between the mouth and the water, from 5 to 88 centimetres; the water surface moves with it. The widths are drawn larger than to scale. Inside the air column a shaded envelope shows how strongly the air vibrates. Far from resonance it is almost nothing. At L = 15.8 centimetres it fills the column with one quarter-wavelength, pinched to nothing at the water surface. At L = 49.0 centimetres it holds three quarter-wavelengths, with one more node inside. At 82.2 centimetres it holds five. Beside the tube, a curve plots loudness against L on an axis aligned with the tube, with sharp peaks labelled L1 = 15.8, L2 = 49.0 and L3 = 82.2 centimetres. A dot on the curve and a dashed line from the water surface show the present loudness. A readout gives L and says faint, louder or loud at resonance. A Listen chip plays the fork, quiet off resonance and loud at the peaks. 512 Hz air water loudness 0 cm 30 cm 60 cm 90 cm L1 = 15.8 cm L2 = 49.0 cm L3 = 82.2 cm L = 35.0 cm: faint
SimA resonance tube with a \(512\,\text{Hz}\) fork. The tube has \(r = 1.33\,\text{cm}\), so \(e = 0.8\,\text{cm}\), and \(v = 340\,\text{m/s}\). The widths are drawn larger than to scale. Move the slider to set the length of the air column. Listen plays the fork, as loud as the tube makes it.

Start the slider in the figure above at \(5\,\text{cm}\) and lengthen the column slowly. The air barely stirs, and the fork sounds faint. At \(15.8\,\text{cm}\) the loudness jumps to a sharp peak. The envelope then fills the column, with a node at the water surface. The next peak comes at \(49.0\,\text{cm}\), with one more node inside, and a third at \(82.2\,\text{cm}\). Press Listen and move the slider through a peak to hear the boom.

The speed of sound from two resonance lengths
Maths you need

Two lengths, and the correction cancels

The end correction is hard to measure. It sits in the open air, where nothing marks it. The resonance tube avoids the difficulty by using two resonance lengths, as the derivation below shows.

Deriving \(v = 2f(L_2 - L_1), \qquad e = \dfrac{L_2 - 3L_1}{2}\) step 1 of 5
1

\[ L_1 + e = \dfrac{\lambda}{4} \]

Why. the first resonance: the fundamental of the air column, whose effective length is \(L_1 + e\).

RememberThe resonance tube
\[ \begin{aligned} L_2 - L_1 &= \dfrac{\lambda}{2} \\ v &= 2f(L_2 - L_1) \\ e &= \dfrac{L_2 - 3L_1}{2} \end{aligned} \]
Holds whenan air column closed at one end, driven by a fork of frequency \(f\); \(L_1\) and \(L_2\) are its first two resonance lengths, measured from the open end.
Symbols\(L_1, L_2\) the first and second resonance lengths; \(\lambda\) the wavelength of the sound; \(f\) the frequency of the fork; \(v\) the speed of sound; \(e\) the end correction
Units\(L\), \(\lambda\) and \(e\) in m, \(f\) in Hz, \(v\) in m/s
ExampleSpeed of sound in the laboratory

A tuning fork of \(512\,\text{Hz}\) is held over a resonance tube. The first resonance is found at \(L_1 = 15.8\,\text{cm}\) and the second at \(L_2 = 49.0\,\text{cm}\). Find the speed of sound, the end correction and the inner radius of the tube.

Reveal one step at a time and finish the rest yourself.

Compare this with a careless method. From the first resonance alone, \(v = 4fL_1\) gives \(4 \times 512 \times 0.158 \approx 324\,\text{m/s}\). That is about \(5\,\%\) too low, because it ignores the end correction. The difference \(L_2 - L_1\) needs no correction at all.

Now return to the booming tube of the practical. The boom is resonance: the fork's frequency matches a resonant frequency of the air column. The first boom marks \(L_1\) and the second marks \(L_2\). Half a wavelength separates them, whatever the end correction. So two readings of a metre scale and the number on the fork give the speed of sound.

Checkpoint · numericUnanswered

A fork of \(425\,\text{Hz}\) gives resonances in a tube at \(L_1 = 19.0\,\text{cm}\) and \(L_2 = 59.0\,\text{cm}\). Find the speed of sound, in m/s.

m/s± 2 %
Checkpoint · numericUnanswered

For the same tube, with \(L_1 = 19.0\,\text{cm}\) and \(L_2 = 59.0\,\text{cm}\), find the end correction, in cm.

cm± 2 %
CheckpointUnanswered

In the example, \(L_2 = 49.0\,\text{cm}\) is a little more than three times \(L_1 = 15.8\,\text{cm}\). Why is it not exactly three times?

Checkpoint · tap in orderUnanswered

Put the steps of the resonance-tube experiment in order.

CheckpointUnanswered

A student finds the fundamental of a closed pipe as \(v/4L\), using its measured length \(L\). Compared with this value, the true fundamental is

Story · Lord Rayleigh, 1877
The air beyond the end

In The Theory of Sound, first published in 1877, Lord Rayleigh studied the open end of a pipe with care. He argued that the air just beyond the mouth moves with the air inside, so the pipe acts as if it were longer. He set bounds on the extra length and compared them with experiments. The exact value for a thin pipe with a plain end waited until 1948. Harold Levine and Julian Schwinger then calculated it as \(0.6133\,r\), the \(0.6r\) of this lesson.

Exam traps
  1. Taking the second resonance length as \(2L_1\) or as \(3L_1\) exactly.
    The second resonance is the third harmonic, and the end correction adds \(2e\): \(L_2 = 3L_1 + 2e\).
  2. Adding only one end correction to an open pipe.
    An open pipe has two open ends, so its effective length is \(L + 2e\).
  3. Finding the speed of sound from \(L_1\) alone as \(4fL_1\).
    That ignores the end correction and gives too low a value. Use \(v = 2f(L_2 - L_1)\).