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Thin Films, Newton's Rings and Other Interference

Why this chapter
Why this chapter exists

A soap bubble at a mela and a film of oil on a monsoon puddle shine with colours, though neither holds any dye. The glint of a phone's camera lens is faintly purple, and the centre of Newton's rings in a college lab is perfectly black. All of these are interference of light reflected from the two surfaces of a thin film. The key is a single rule. A wave reflected from a denser medium comes back turned over, as if half a wavelength had been added to its path. This chapter proves that rule, then uses it for films, coatings and rings. It then makes two coherent sources out of one with a mirror and with a prism. Last, it asks what shape fringes really have and where the central fringe lies.

You will learn
By the end of this chapter you will
  1. State Stokes' relations \(r' = -r\) and \(tt' = 1 - r^2\), and decide which reflections of a film gain a phase of \(\pi\).
  2. Derive the path difference \(2\mu t\cos r\) between the two waves reflected by a film, and add the half wave where it belongs.
  3. Use the conditions for a film to look bright or dark in reflected light.
  4. Find which wavelengths a film reflects strongly and which are missing.
  5. Explain why a very thin film looks black, and why reflected and transmitted colours are complementary.
  6. Find the thickness of an anti-reflection coating, and explain why a coated lens looks faintly purple.
  7. Derive \(t = r^2/2R\) and \(r_n = \sqrt{n\lambda R}\) for Newton's rings, and explain their dark centre and their crowding.
  8. Find a wavelength from the diameters of two rings.
  9. Find the fringe width in Lloyd's mirror and Fresnel's biprism, explain the dark fringe at the mirror's edge, and find where fringes can be seen.
  10. Explain why fringes are hyperbolas that look straight, and why sources one behind the other give rings.
  11. Find how far a tilted beam, a source off the axis or a slab moves the central fringe.
Before you begin
Before you begin

From the chapter on Young's double slit, you should know coherent sources, the path difference \(yd/D\) and the fringe width \(\beta = \lambda D/d\). From the chapters on waves, you should know that a pulse reflected from a fixed end comes back inverted. You should also know that a path difference \(\Delta x\) gives a phase difference \(2\pi\Delta x/\lambda\). From the chapter on refraction, you should know Snell's law, the optical path \(\mu d\) and the principle of reversibility. You should also know the thin prism, \(\delta = (\mu - 1)A\). You should be comfortable with Pythagoras' theorem and small-angle approximations.

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Lessons

1
Phase Change on Reflection
Light reflected from the surface of a denser medium comes back turned over, a phase change of \(\pi\), while light reflected from a rarer medium does not. Stokes' argument from reversibility, the half wave as an extra path of \(\lambda/2\), and how to count the half waves of a film.
Stokes treatment of reflectionWhich surface gives the half wave
13 min0%
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2
The Colours of Thin Films
The two waves reflected by a film differ by the path \(2\mu t\cos r\) plus the half wave of the front surface. Bright for \(2\mu t\cos r = (n - \tfrac12)\lambda\), dark for \(n\lambda\). Which colour a film shows, why the colours change with its thickness, and why a very thin film looks black.
Path difference in a thin filmBright and dark in reflected lightWhich colour a film showsA very thin film looks black
15 min0%
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3
Coatings and Newton's Rings
A coating a quarter wave thick cancels the reflection from a lens, because both of its reflections gain a half wave. The air film under a curved lens, \(t = r^2/2R\), gives Newton's rings with a dark centre and radii \(r = \sqrt{n\lambda R}\), and the rings measure a wavelength.
The anti reflection coatingThe air film under a lensNewtons ringsMeasuring a wavelength with rings
15 min0%
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4
Two Sources from One: Lloyd's Mirror and Fresnel's Biprism
A mirror or a thin double prism makes two coherent sources out of one slit. Lloyd's mirror, \(d = 2h\) and a dark fringe at the mirror's edge; Fresnel's biprism, \(d = 2a(\mu - 1)\alpha\); and why fringes appear only where the two beams overlap.
Lloyds mirrorFresnels biprismWhere fringes can be seen
14 min0%
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5
The Shape of Fringes and a Tilted Beam
Points of equal path difference from two sources lie on hyperboloids, so fringes are hyperbolas that look straight near the centre, and circles when the sources lie one behind the other. A beam falling at a slant, or a source off the axis, moves the central fringe; a slab can bring it back.
Fringes are hyperbolasCircular fringes along the axisA tilted beam shifts the centreA source off the axis
14 min0%
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Read in order. The small labels are the topics of each lesson. They take your colour as you answer the checks.

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Glossary

The key words of this chapter, with the meaning this chapter gives them.

anti-reflection coating
A layer about a quarter of a wavelength thick, laid on a lens so that its two reflections cancel. Its refractive index lies between those of air and the glass.
central fringe
The fringe at which the whole optical path from the source is the same through both slits. It is bright when no half wave separates the two waves.
complementary
Said of the reflected and transmitted patterns of a film: where one is bright the other is dark, and together they hold all the light.
Fresnel biprism
Two thin prisms of small angle joined base to base. It bends the light of one slit into two beams that seem to come from two coherent virtual sources \(2a(\mu - 1)\alpha\) apart.
fringe width
The distance \(\beta\) between two neighbouring bright, or dark, fringes. For two coherent sources \(d\) apart and a screen \(D\) away, \(\beta = \lambda D/d\).
hyperbola
The curve of points whose distances from two fixed points, its foci, differ by a fixed amount.
hyperboloid
The surface swept out by a hyperbola turned about the line through its foci. The points of one path difference from two sources lie on one.
Lloyd's mirror
Light from a slit a height \(h\) above a plane mirror interfering with its own reflection, as if from two sources \(2h\) apart. The fringe at the mirror's edge is dark.
Newton's rings
The circular fringes formed by the air film between a convex lens and a flat plate. In reflected light the centre is dark and the dark rings have radii \(\sqrt{n\lambda R}\).
optical path
The distance \(\mu d\) that light would travel in vacuum while it crosses a thickness \(d\) of a medium of refractive index \(\mu\).
optically denser
Of two media, the one with the larger refractive index, in which light travels more slowly. It need not have the larger mass density.
phase change on reflection
The phase of \(\pi\) that a wave gains when it reflects from the surface of an optically denser medium. It counts as an extra path of \(\lambda/2\). Reflection from a rarer medium adds none.
principle of reversibility
If the direction of a ray of light is reversed, it retraces its path exactly, through every reflection and refraction.
Stokes' relations
The relations \(r' = -r\) and \(tt' = 1 - r^2\) between the fractions of amplitude reflected and transmitted at a boundary from its two sides, found by reversing the rays.
thin film
A transparent layer, such as a soap film, a layer of oil or a lens coating, up to a few micrometres thick. The light reflected from its two surfaces interferes.
virtual source
A point from which light seems to come after a reflection or a refraction, though no light starts there. The image of a slit in a mirror is one.